![]() Remember: the story we’re talking about here is about two serial killers going mano y mano. Yep, points for being succinct! But this logline tells the reader of the logline nothing about the story. When a man knocks on the door of another man, it’s a situation of do-or-die. For example, using our serial killer short we mentioned above: ![]() The Not-Nearly-Enough-Information type of bad logline is one where the writer opts for maximum brevity (yay!), at the expense of actual, you know, information about the story (booooo!). The first type of bad logline is what I like to call… The Not-Nearly-Enough Information Bad Logline And that salesman/serial killer happens to knock on the door of another serial killer. And it’s about a serial killer who’s a door-to-door salesman. Let’s say the story we’re writing a logline for is a short. To illustrate, let’s throw out a premise and write a few bad loglines for it. We’ll go a bit more into that later, but first let’s dive into what a logline shouldn’t be, and the way I see it, there are four bad logline types that fit that particular bill. In answering those questions, some of us screenwriter hacks prefer to toe that Wikipedia line above, in all its quotidian plainness, and that, frankly, is perfectly fine.īut for me, I want the logline to do one simple thing: give me a reason to read the screenplay. Yeah, yeah, but what’s the purpose of a logline? What’s a logline supposed to do? Wikipedia’s illustrious hive mind defines it like so:Ī brief (usually one-sentence) summary …that states the central conflict of the story, often providing both a synopsis of the story’s plot and an emotional “hook” to stimulate interest. If you’re stuck, or struggling to come up with ideas, consider trying out a logline generator or brainstorming ideas.What is a logline supposed to do, really? Learning how to write a logline for a short film is all about setting out to write a short, engaging summary that piques the reader’s interest and encourages them to watch the actual show or to fully read the script. Write your logline as a goal for the character, but don’t tell the audience whether the goal is achieved or not - they’ll have to watch the show to figure it out! ![]() It’s always better to use an active voice when writing a logline for a short film. Use descriptive words instead, for example if you’re writing a logline that includes a character named John that’s a farmer who lost his wife, you’re not going to mention “John” in your logline, but you might mention “a widowed farmer.” The audience can connect better this way.Īvoid using passive events as your inciting incident. Your characters don’t exist yet for the reader, so to use names will not help them connect. In fact, much of knowing how to write a logline for a short film is about what you should NOT include.Īvoid using character names in your logline. It’s important to think about more than just what you should include in your logline. The main inciting incident that occurs in the script.Several key elements can be included in a logline, but keep in mind that every word of your logline should be carefully thought about to ensure it’s exactly what it should be – no frills, no fluff, just connections with your intended reader! Your logline should include Knowing how to write a logline for a short film is important for any filmmaker to focus some time on and learn. The logline typically summarizes the show and hooks the reader by describing the unique conflict of the story. If they hate it, they’ll probably not think another second about it. When it comes to selling your script, the logline is the first sentence a Producer or Director will read. However, you’ll probably want to put more thought into it than that!Įssentially, your logline puts all the pages of your short story script into a single sentence that powerfully summarizes the story, creates interest, and compels your audience to stick around to learn more. The logline for a short film is literally something that you should be able to write in less than a minute. Think of it as your elevator pitch, but maybe even shorter. Loglines are short, blurbs about your film that are used to sell your idea. ![]() These tips will help you learn how to write loglines that will sell your idea. Learning how to write a logline for a short film is something that many aspiring cinematographers must accomplish early in their careers. No matter what stage you’re at in the production of your film, the logline is an important element that can literally make or break the success of your project.
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